by Michael Unterman | Dec 28, 2020 | General
Diamonds in the rough times A few months back, a friend sent a link to a theater production by Chicago-based Manual Cinema, a brilliant company that “combines handmade shadow puppetry, cinematic techniques, and innovative sound and music to create immersive stories.”...
by Michael Unterman | Dec 19, 2020 | Program Notes
Program Notes: Juxtapositions | Through the Warping Lens Juxtapositions premieres December 19, 2020. OFF THE GRID by Elliot Figg It has been an immense pleasure to join violinist Manami Mizumoto and cellist Michael Unterman in revisiting three of my baroque-instrument...
by Michael Unterman | Oct 1, 2020 | Program Notes
Program Notes: Coming Together NOTES ON THE PROGRAM by Michael Unterman Frederic Rzewski (pron. JEV-skee) (b. 1938): Coming Together “I think the combination of age and the greater coming together is responsible for the speed of the passing time. It’s six months...
by Michael Unterman | Sep 23, 2020 | Backstage
— I’ve been listening to a lot of Beastie Boys lately, the result of a classic internet wormhole that started with a copy of N.K. Jemisin’s The City We Became. From there > N.K. Jemisin’s playlist for The City We Became > the track “An Open Letter to NYC”...
by Michael Unterman | Jul 19, 2020 | General
— One of the inherent gifts 5BMF’s model grants is the natural charge to become more fully familiar and connected with the whole of New York City, a call that’s daunting, but also thrilling and deeply enriching. And while this charge is core to our identity,...
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